Publisher's Message: Spring and Poetry Trumps All
by Suzanne Gillis

Spring has always been my favorite season. I love all seasons, but spring to me is nature’s triumph over all things dismal, damp and dreary. And not just because it’s been a difficult and long winter. Nature, like human life, is both painful and also amazingly beautiful. Weeks before spring actually emerges (or bursts), my dreams of it coming are the pulse of life that trumps all reality.

Perhaps it is our dreams or our imagination or our fantasies that give us that sliver of light to get through gray days. Or to outlast catastrophic weather. Or to keep from drowning in despair over human failings and loss. The real trick, I think, is really getting to what beauty is, what happiness is, even if it is fleeting. Or maybe because it is fleeting, and to seize it for all it’s worth.

That’s when poetry becomes essential.

One of the best poets ever is Mary Oliver. Oliver, is 78 and a Pulitzer Prize winner for poetry and author of 31 volumes of poetry and prose. According to the Poetry Foundation she is one of the top-ten bestselling American poets. Oliver, connects the most vital part of ourselves directly to nature. She uses nature, the splendor and pain of it to reach deeply into who we are and sets us on fire with epiphanies we can understand and apply personally.

And Oliver accomplishes this successfully, to peer acclaim and devoted fans across all cultural spectrums. I do not say this lightly. I keep her poetry on my bedside table. I reach for her words, for my favorite poems in times of glorious happiness and in difficult times, always discovering fresh insights from her connecting me to the natural world.

Following are three of my favorites:

Wild Geese

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting–
over and over announcing your place
in the family of things.


~ From Dream Work, Atlantic Monthly Press, 1986

 

The Swan

Do you too see it, drifting all night, on the black river?
Did you see it in the morning, rising into the silvery air—
An armful of blossoms,
A perfect commotion of silk and linen as it leaned
Into the bondage of its wings; a snowbank, a bank of lilies,
Biting the air with its black beak?
Did you hear it, fluting and whistling
A shrill dark music—like the rain pelting the trees—like a waterfall
Knifing down the black ledges?
And did you see it, finally, just under the clouds—
A white cross Streaming across the sky, its feet
Like black leaves, its wings Like the stretching light of the river?
And did you feel it, in your heart, how it pertained to everything?
And have you too finally figured out what beauty is for?
And have you changed your life?

~From The Swan

 

No poet ever
wrote a poem to dishonor life, to compromise
high ideals, to scorn religious views, to demean hope or
gratitude, to argue against tenderness, to place rancor before
love, or to praise littleness of soul. Not one. Not ever.
On the contrary, poets have, in freedom and in prison, in health and
in misery, with listeners and without listeners, spent their
lives examining and glorifying life, meditation, thoughtfulness,
devoutness, and human love. They have done this wildly,
serenely, rhetorically, lyrically, without hope of answer or reward.
They have done this grudgingly, willingly, patiently, and in the
steams of impatience. They have done it for all and any
gods of life, and the record of their so doing
belongs to each one of us. Including you.

~ From Rules for the Dance, Mariner Books, Houghton Mifflin, 1998

Mary Oliver - Printed by Mariner Books, Houghton ----Mifflin To celebrate the publication of Rules for the Dance. 1998

I live on the end of a point surrounded by woods, meadows and water. While I have never seen a swan, I did once lock eyes with a fawn, not five feet away. Neither of us moved for five minutes. Just us. This was a life-altering moment for me with a wild creature, which resonates every day. Here, I encountered beauty and I knew it instantly Like Oliver, I wish everyone could have a moment like this and feel it; then we become intimately connected—to the deer, to the swans and all of nature. The wild ones do not expect anything from us as spectators except perhaps respect for their space. They live what they are.

Mary Oliver once spent some time on all fours romping around the woods and meadows, so she could know what an animal sees through the grasses, shrubs, and branches and what it feels like along the forest floor and what it smells and sounds like. She apparently found the experience exhilarating and a source of inspiration.

I don’t count the years I have left, I count how many springs; just so I pay attention. While I do not plan on crawling around the woods this spring, I do plan to read as many Oliver poems as I can and fully submit all my senses to another precious Vermont spring.


Suzanne Gillis is the Publisher of Vermont Woman newspaper.